
28 May 2014
ESCAPE: An Anthology Of Short Stories
Sometimes a story can change your whole world. Words on a page can be so powerful that it seems like your eyes have a new colour or shape – the tale becomes a…

28 May 2014
Sometimes a story can change your whole world. Words on a page can be so powerful that it seems like your eyes have a new colour or shape – the tale becomes a…

26 May 2014
His name is synonymous with Australian music, his best known song is the much revered multi-Aria, and International Human Rights Achievement Award winning…

26 May 2014
Adelaide Festival Centre’s Oz Asia Festival is poised to enter an exciting new phase under the artistic leadership of one of the rising stars of the Australian…

24 May 2014
KATE CEBERANO TIME SERVED 3 YEARS AS ARTISTIC DIRECTOR – FINAL PROGRAM REVEALS

22 May 2014
Presented by the Southern Theatre and Arts Supporters (STARS), The Da Ponte Project: Making Mozart combines songs from three famous Mozart Operas; The Marriage…

21 May 2014
Amy Silva is not your ordinary army ‘wife’. She’s an organic-produce adoring, hemp-wearing nuevo-hippy. Her boyfriend, Dylan Brookes, thrives in the macho…

20 May 2014
Tim Freedman has been highly visible, musically at least, for some time now. His private life however takes a deliberate backseat – at least until he has a new…

19 May 2014
French chanteuse Caroline Nin is a seductress of the most sophisticated kind. Since 2002 she has been mesmerising Adelaide Cabaret Festival audiences with her…

19 May 2014
Writer/director Sally Potter’s follow-up to the flawed Yes and the underappreciated Rage is a fairly straight character piece with a fine cast and rather less…

19 May 2014
Writer/director Laurie Collyer’s low-budget drama features a cool cast and moving playing, and yet the lingering mood of quiet desperation makes it slightly…

19 May 2014
It is a few years now since this gorgeous trio’s last full length offering; this could be due to the fact that they have been busy scouring romantic and…

14 May 2014
Producer/director Spike Lee’s most ostensibly commercial movie since his Inside Man (and his first remake) is an Americanised version of Korean filmmaker…