1 Mar 2023
Apphia Campbell has been touring this self-penned piece globally since 2013, but this is her first visit to the Adelaide Fringe. In Black Is The Color Of My…
1 Mar 2023
Shakespeare is already timeless, and now launched into the future he can claim time-travel as well to his list of credits. It’s great to see such a mix of ages…
27 Feb 2023
A surprising start involving all the audience sets up this one-woman show as an inclusive invitation to join Britt Plummer for her emotional roller-coaster…
27 Feb 2023
At first, as cast members in Victorian costumes mingle through the audience, I feel a little nervous that this will be some amateur version of Gilbert and…
26 Feb 2023
The actor and singer Michelle Nightingale plays both the older and younger Mary Anning with equal ease. She slips between these ages just as she brings the…
26 Feb 2023
Sadly, David Attenborough and his animals couldn’t make it to Gluttony this afternoon, but Clownfish stepped in and rescued the show with a splendid…
22 Feb 2023
[Theatre & Physical Theatre/Absurdist ~ AUSTRALIAN PREMIERE ~ Singapore]
20 Feb 2023
Musing matters. Talk about flogging a dead horse. But by the end I just wanted to stay. Time must have passed, but I hadn’t noticed – the true test of good…
20 Feb 2023
The audience is greeted by Daniel, the play’s sole player, in briefs and something of a light robe and thus begins the story. He has returned to his mother’s…
20 Feb 2023
Sparrows Of Kabul is a performance by renowned singer songwriter Fred Smith with a band (in Adelaide the band features the ethereal vocals of Jen Lush, Paul…
19 Feb 2023
[Theatre and Physical Theatre/Clown ~ SA] The Chapel at Migration Museum, Sat 18 Feb, 2023.
19 Feb 2023
As if performance appraisals weren’t stressful enough already (I’m now going to have nightmares about my next one!). This two-hander is replete with business…