Shock, PG, 87 Mins Richard Matheson’s 1954 novel I Am Legend has been filmed four times: as this first-off-the-rank 1964 outing, as The Omega Man in 1971, under its original title in 2007 with Will Smith,...
Shock, PG, 87 Mins Richard Matheson’s 1954 novel I Am Legend has been filmed four times: as this first-off-the-rank 1964 outing, as The Omega Man in 1971, under its original title in 2007 with Will Smith,...
Shock, MA, 78 Mins This follow-up to 2013’s horror epic Contracted, which attempted to show how a zombie-cum-28–Days–Later-type virus could be created (and then left us hanging), is both...
Shock, M, 88 Mins Indefatigable producer/director Roger Corman’s seventh of eight early ‘60s productions drawn from the works of Edgar Allan Poe, this is the best of the bunch, although that isn’t...
Shock, M, 87 Mins The first film properly directed by the late lamented Mario Bava (who also served as cinematographer and uncredited co-writer, as drawing from a novel by Nikolai Gogol), this low-budget...
Shock, M, 115 Mins Late great writer/director/producer Paul Mazursky’s somewhat forgotten fourth feature from back in 1974 is less of an ‘Issue’ movie (see his 1969 début Bob & Carol & Ted &...
Shock, M, 94 Mins The often bitterly funny modern musical by Jason Robert Brown is here adapted for the screen and directed by Richard LaGravenese, and while the low budget and hurried production sometimes...
Shock, MA, 96 Mins Italian horror maestro Dario Argento’s first film as writer/director from way back in 1969 takes several uncredited cues from Fredric Brown’s novel The Screaming Mimi and yet the style...
Shock, R, 90 Mins Director/producer/co-star Charles B. Pierce’s evocatively-titled ‘regional’ horror movie from 1976 is constructed as a rather awkward docudrama, a recreation – and sometimes...
Paramount (M), 102 mins Time travel movies are always pretty silly, but feature début director Dean Israelite’s epic is enjoyably silly, with appealing leads, some nice gags (“Who’s Doctor Who?”)...
Shock, 97 Minutes (M) Director Megan Griffiths’ wry, under-the-radar character study is built upon lovely performances from Toni Collette and Thomas Haden Church as one of those unlikely odd-couple movie...