12 Mar 2017
Chicas Flamencas: Passion And Percussion Aplenty – Adelaide Fringe Review
Full of heart and soul, Chicas Flamencas embraced all the aspects of an authentic Flamenco performance – song, guitar and of course the flamboyant dancing! With…
Dance – Page 6
12 Mar 2017
WOMADelaide Day Two: Wandering Through WOMADelaide’s 25th Anniversary – Festival Review
For the last couple of last years, for some ridiculous security reason, people entering WOMADelaide have not been able to take in bottles of water. Empty…
11 Mar 2017
The Sensationals: A ‘60s And ‘70s Music Experience From Pulse Band – Adelaide Fringe Review
Might these men on the dance floor tonight be the same boys who in the ‘60s and ‘70s would never have got up and danced with the chicks? The floor was packed…
11 Mar 2017
WOMADelaide Day One: WOMADelaide’s 25th Anniversary Off To A Great Start – Festival Review
As someone wrote on Facebook, it was a perfect evening to celebrate WOMADelaide’s 25th anniversary. Botanic Park was bathed in a soft, golden light. Stage 1 has…
19 Feb 2017
Djuki Mala: Infectious, High-Energy Dance Combining Traditional Yolngu And Contemporary Pop Culture – Adelaide Fringe Review
Following winning the Best Dance Award at the 2015 Adelaide Fringe, Djuki Mala are back in Adelaide bringing their infectious, high-energy dance combining…
4 Dec 2016
Singin’ In The Rain: Hollywood’s Greatest Screen Musical Comes To Adelaide Festival Theatre – Review
The 1952 MGM film Singin’ In The Rain is considered one of Hollywood’s greatest screen musicals, featuring Gene Kelly, Donald O’Connor, Debbie Reynolds and Jean…
2 Oct 2016
Hairspray – The Big Fat Arena Spectacular: Tim Campbell plays Corny Collins… or rather ‘is’ Corny Collins – Interview
It’s the 1960s when TV dance shows were all the rage and segregation was rife. But change is in the air when Tracy Turnblad, a dance-loving Baltimore teen…
2 Oct 2016
SK!N by TerryAndTheCuz: A Thought-Provoking, Beautiful and Unsettling Look into the World of Human Trafficking – OzAsia Festival Review
I arrive at the processing centre. I fill out a questionnaire and provide various personal details, ranging from the practical (emergency contact, health…
25 Sept 2016
SoftMachine: Rianto ~ Exploring The Lines Between Masculine and Feminine Within Performance and Dance – OzAsia Review
An interesting mix of dance and doco, the SoftMachine: Rianto is an exploration of many things – tradition, modernity and how both engender the masculine and…
25 Sept 2016
split flow & Holistic Strata by Hiroaki Umeda: Physical Dance Bathed in Ambiguous Light and Shade – OzAsia Interview
Moving between the pixilation of light and dark, choreographer and dancer Hiroaki Umeda uses cutting edge digital multimedia and soundscapes to create a truly…
24 Sept 2016
Bunny: Brilliantly Blurring the Performance Lines Between Submission, Connection, Control and Consent at Nexus Arts – OzAsia Review
Control is a funny thing. Give us too much, and we run amok; too little, and we spin around, hanging on a thread.
23 Sept 2016
As If To Nothing: A Surreal Dance Experience by Hong Kong’s City Contemporary Dance Company – OzAsia Review
Commanding choreography combines with disjointed sights and sounds to create a surreal dance experience courtesy of Hong Kong’s City Contemporary Dance Company…